Vind DAT SONY DTC-ZE700 RECORDER , IMPECABIL DIN TOATE PUNCTELE DE VEDERE , TRAGE SI REDA IMPECABIL , PENTRU CUNOSCATORI SI PASIONATI DE APARATE HIFI
Sony's DTC-ZE700 Digital Audio Tape Recorder was introduced in October 1996
Features include Super Bit Mapping® technology, an Advanced pulse D/A converter, and an Anti-Resonant Mid-Ship drive, which reduces radiated noise. Additional features are the Sony 3 Motor Mechanism, and Optical and coaxial digital inputs.
One of the best features of the DTC-ZE700 is Sony's SBM, a process that raises the standard of DAT recording and playback quality. The basic theory is that when you record on the DTC-ZE700 through its 24-bit analog converters using SBM, the processor filters the 24-bit audio to yield a final product that sounds better than normal 16-bit quality. SBM does that by weaving out the least significant 8-bit information into 16-bit filtered data.
Sony claims the reshaped noise pattern results in deeper bass and more dynamic midrange. According to Sony, by reorienting quantization noise to frequencies above 15,000 Hz - where human hearing is far less sensitive - the SBM process can achieve a result that is comparable to nearly 20-bit quality, yet you can still play the DAT on any DAT recorder/player.
Features include Super Bit Mapping® technology, an Advanced pulse D/A converter, and an Anti-Resonant Mid-Ship drive, which reduces radiated noise. Additional features are the Sony 3 Motor Mechanism, and Optical and coaxial digital inputs.
One of the best features of the DTC-ZE700 is Sony's SBM, a process that raises the standard of DAT recording and playback quality. The basic theory is that when you record on the DTC-ZE700 through its 24-bit analog converters using SBM, the processor filters the 24-bit audio to yield a final product that sounds better than normal 16-bit quality. SBM does that by weaving out the least significant 8-bit information into 16-bit filtered data.
Sony claims the reshaped noise pattern results in deeper bass and more dynamic midrange. According to Sony, by reorienting quantization noise to frequencies above 15,000 Hz - where human hearing is far less sensitive - the SBM process can achieve a result that is comparable to nearly 20-bit quality, yet you can still play the DAT on any DAT recorder/player.
- Super Bit Mapping® technology
- 44.1 kHz analog recording capability
- Remote Commander® wireless remote control
- Advanced Pulse D/A converter
- Quick Loading
- SCORE digital filter
- Long Record/Play modes 1
- Anti-resonant Mid-Ship drive
- 200/400 times high speed search
- Sony 3 Motor Mechanism
- Two repeat modes
- 2-way time display
- 50 second rewind time
- Auto Renumber
- Blank Search
- Inputs and Outputs:
- Optical and Coaxial Digital Inputs
- Inputs Line: 500 mV, 47
- Optical Digital Output
- Outputs Line: 2 Volts rms, 10 k load
Tape Digital audio tape Recording head Rotary head Recording time Standard: 120 minutes
Long-play mode: 240 minutes (with DT-120)Tape speed Standard: 8.15 mm/s
Long-play mode: 4.075 mm/sDrum rotation Standard: 2,000 rpm
Long-play mode: 1,000 rpmError correction Double-Read Solomon code Track pitch 13.6 µm (20.4 µm) Sampling frequency 48 kHz, 44.1 kHz, 32 kHz Modulation system 8-10 Modulation Transfer rate 2.46 Mbit/sec Number of channels 2 channels, stereo D/A conversion (Quantization) Standard: 16-bit linear
Long-play mode: 12-bit non-linearFrequency response Standard: 2-22,000 Hz (±0.5 dB)
Long-play mode: 2-14,500 Hz (±0.5 dB)Signal-to-noise ratio Standard: more than 90 dB Long-play mode: more than 90 dB Dynamic range Standard: more than 90 dB Long-play mode: more than 90 dB Total harmonic distortion Standard: less than 0.005% (1 kHz)
Long-play mode: less than 0.008% (1 kHz)Wow and flutter Below measurable limit (±0.001% W. PEAK)
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